Write 2 Be Magazine

For the Artists Who Like to Remain Strictly Out of the Box

The Importance of Suspense in a Novel By Joyce Shafer

Every story benefits from some level of suspense. Plot relies on it. For suspense to work well, readers have to care about or be curious about what will happen to one or more characters. This means that as important as plot and suspense are, characters are equally so because plot and suspense reveal the characters for who they really are and characters propel the plot forward, based on what they say or don’t and the actions they take or don’t. Suspense, as with anything, should never be used to fill space. It must be relevant to the story and relevant for the characters, based on their role in the story.

Readers may believe they know the characters you’ve created for them and will rely on them to be true to themselves, if you’ve developed them well, but readers still anticipate the feeling of suspense as they wonder what a character will say or do in certain circumstances. Think of it like baseball: as exciting as it is when the batter hits the ball, the real suspense happens in the moments that immediately follow the sound of the crack, when leather meets wood.

Suspense arises as a result of some form of conflict. Conflict in plot development works best when it shows up then builds, whether just in a particular scene or throughout the novel (though, every scene must contribute to the overall plot and character development). This may involve some form of danger, but it can also be an inner experience for a character as well.

Suspense is about risk, whether it’s between one or more characters or within the character. Suspense can be anything from a character in a darkened room becoming aware there is something or someone breathing heavily on the other side of the door, or how a character will perform in a personal challenge such as facing a job interview panel or facing an angry lion that needs to be re-captured, or the ten-year-old boy working up courage to confront a bully. It can include any resistance a character feels-toward themselves, one or more others, or life events. Resistance is often about characters facing their worst enemy-themselves, in whatever circumstance they find themselves in.

Here’s the main purpose for suspense: To keep readers reading the book and not wanting to put it down. But, suspense and conflict do not have to come from one dastardly event occurring right after another, like Dominoes falling. Suspense has all to do with the structure of the novel. Relevant and even life-changing events, wrapped in their own form of suspense, must happen as part of a logical sequence of events. You’ve done a good job with suspense when readers care about what’s going to happen and don’t want to stop turning pages, or if they must stop reading, they’re eager to return to the book as soon as possible. You can use and build suspense in many ways; however, you don’t want to overdo this or it will slow plot momentum. Worse, it will become obvious to readers that you’re more interested in distracting them from less than stellar plot and character development than making sure the story engages them.

Other forms of suspense include seeking something significant, big discoveries that are made, time running out, physical attacks, as well as emotional or spiritual attacks. Something as simple as an envelope with a significant message inside received but unopened and forgotten about or an important fax that falls under a nearby piece of furniture creates suspense. There’s something there a character needs to know about-readers know about it-but the character is operating in the dark. This creates a promise to readers: at some point, the character will either discover or be impacted by this.

Suspense must happen organically within plot development; and three of many ways to do this involves the use of clues, false clues, and red herrings. “A clue is a mistake by another name,” said the character James Hathaway in the PBS series Inspector Lewis). Clues provide information to a character (and to readers). These can include tangible objects such as fingerprints, or a button torn from a garment during a struggle and later pried from the clenched hand of the victim, or a circled listing in a newspaper. A false clue can be used on a character by another character (a character lies to the private investigator), which is learned by the P.I. later in the story. You can also use what’s called a red herring, which is an event or statement that misleads characters (and readers); but this must be logical and have relevance to the story. A red herring keeps readers from figuring out what’s really going on sooner than you wish to reveal what is going on.

I wish you the best with your writing, process, and progress.

 

About Joyce Shafer

Services for Writers: Let Joyce L. Shafer be your writing coach or developmental editor. Details about her services, including Critiques and The Chapter-by-Chapter Get-Your-Book-Written Writer’s Incentive Coaching at http://editmybookandmore.weebly.com/

Advertisements

About jcladyluv

Jimmetta Carpenter is the Editor and Creator of the Free Fall Literary E-Zine and the Spoken Like A Queen E-Zine. She has dedicated herself to the power of the words and given into her passion for writing and has been writing poetry officially since the age of ten. She has a book of poetry titled “The Art of Love” published through lulu.com under the pen name Gemini. She is currently finishing up with her first novel and already working on her second. In 1998 she had her poem “Rest In Peace” published in an anthology put out by the International Library of Poetry and in the Spring of 2007 will have another poem titled “Through The Eyes of an Angel” published in another anthology also put out by the International Library of Poetry. She was also awarded the Editor’s Choice Award for that poem as well. She is looking forward to having a very long and rewarding career in writing and hopes that through living out her dreams she can inspire someone else out there to realize theirs. Her advice to other up and coming authors is to NEVER stop believing N your dreams and don’t ever be afraid to dream big. Jimmetta can be contacted by sending her an e-mail at freefall_lbp@yahoo.com or jcladyluv@yahoo.com.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Information

This entry was posted on October 15, 2014 by in Contributing Writers and tagged , , , , .

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,340 other followers

Most Recent Tweets

%d bloggers like this: